I will admit it right up front…. I am horribly behind in my reading. I will catch up. I promise. But meanwhile, here are my reactions to this year’s children’s book awards. These are awarded annually by the American Library Association, to acknowledge and support the very best in children’s and young adult literature. The staff here is happy when the awards are announced on Martin Luther King Day because the library is closed and no one has to listen to me cheer or bemoan the state of the world. I do tend to get rather vocal about the whole thing, hard though that may be for you to imagine. This year the awards were not done on MLK Day so everyone had to hear me and let me tell you, it wasn’t a happy day in Mudville. In fact, it’s three months later and I am still, shall we say, a little tweaked, miffed, displeased, irked, and chagrined. That is not to say pissed. I WAS pissed. I am totally not pissed anymore. Nope. Not me. But let’s begin at the beginning….
The Theodore Seuss Geisel Award recognizes the authors and illustrators of a book for emergent readers and this year’s committee hit it right on the money. Mo Willems, author of Caldecott Winner Don’t Let the Pigeon Drive the Bus, hits his hilarious best with There is a Bird on Your Head. It made me laugh on a day when I was absolutely certain laughter was a distant memory. Emergent readers and imagination are Willems strength and we love him for it. (P.S. I just spent half an hour playing on his website. It’s worth the time. Honest.)
I waffle back and forth about The Sibert Award. I didn’t read a great deal of non-fiction last year but when has that ever stopped me from running my mouth? Peter Sis’ The Wall garnered the medal here and I understand that. I am not especially enamored of the book, but I understand why a committee might consider it the best of the best. I find the format too busy and too much, but I wasn’t in their chairs or their shoes so I won’t use up my complaining here. Solid choices, all.
I jumped out of my chair and shouted when I read the title of the Caldecott Winner. The Invention of Hugo Cabret is one of the most innovative pieces I’ve seen in a long time and it has the added bonus of being good writing. Even though The Caldecott is awarded for illustration there is a need for the marriage of text and illustration that this book has in spades and hearts and diamonds and clubs. If you haven’t seen this go to your library and just sit there of an afternoon and hang out at the train station with Hugo. The honor books were good choices as well, in my opinion. I could have done without The Wall, but all right. Whatever. I am the only person in the known universe that thinks First the Egg is confusing – really, the ONLY person in the known universe. One of these days I’m going to read it with a group of kids and see its beauty and kick myself for being a dope. Henry’s Freedom Box is just beautiful. If you have not had the pleasure of reading it and absorbing those illustrations treat yourself today. And while you’re at the library take a look at the other books illustrated by Kadir Nelson. Last year’s Moses is stunning and wait until this time next year when I tell you that his newest We Are the Ship has garnered awards in three areas. While sequels in picture books sometimes collapse on themselves, Knuffle Bunny Too (which you discovered while you were playing on Mo Willems’ site) is such a perfect bit of slice of life it is well worth celebrating.
The Newbury Medal Committee did a great job in a year loaded with wonderful work. I would have swapped around the winner and the honors but that’s a matter of taste rather than quality. Good Masters! Sweet Ladies! Is about as close to living in a medieval village as we are likely to get. What a charming, interactive, interesting read this one is. I don’t think it’s stayed on the shelf longer than two or three days since it arrived. That being said… Jacqueline Woodson’s Feathers is the middle-school book of the year for me. It so gracefully and tenderly covers the understanding and acceptance of those perceived as different and the enormity of what it means to be a child of faith and understanding and compassion. This slim volume flips the coin around and readers are forced to look at the world in an entirely new way. I recommend Gary Schmidt’s The Wednesday Wars, another honor book although I suspect this is one of those books adults are going to like better than children, and Elijah of Buxton by Christopher Paul Curtis, a book that made me laugh and cry without feeling in the least bit manipulated.
Then there’s the Printz Award. Deep breath. Sigh. Miffed. Chagrined. Disappointed. Tweaked. And frankly, flat out pissed off – still. I understand that this is not an award for American authors alone so the field immediately becomes enormous in scope and size. I have enormous respect for the amount of reading the committee has to do and the tough choices it has to make. However, respectfully, I disagree with the selections on so many levels I could cry. No one will ever convince me One Whole and Perfect Day is a better book than Mistik Lake. While the former is a lovely little story the latter is an intricate tying of a knot, a macramé, if you will, of woven threads that when pulled tight form a thing of beauty out of what, to the untrained eye, looks like a tangle of yarn and thread. You Own Sylvia thuds while Frida soars off the page and drives one to learn more, to read deeper, to know, to understand. Dreamquake is fine. It’s a fantasy. It stands alone. How is it exemplary? Those are the honor books. Would I have chosen others? You bet your bippy. However, nothing, NOTHING is as infuriating as the one that did not win.
I read the winner, Geraldine McCaughrean’s The White Darkness, and if it had been one of only seven books published this year I would understand the win. But it wasn’t. 2007 was a great year for YA literature. We’ll never know how this book got chosen over anything else but the fact that Sherman Alexie’s Absolutely True Diary of a Part-Time Indian didn’t even garner an honor frosts my behind and still makes the hair on the back of my neck stand up. This is a book that brings into stark relief an entire world that is so real and honest and EXISTS right this minute that it cannot help but touch any heart. But forget my emotional/political response for a minute, because that’s not an award criteria, mores the pity. This is a brilliant piece of writing. The marriage of illustration with text is superb and effortless, not in the least contrived. The voice is meticulous. The humor….ah the humor. In a life that is so impossible it drives adults, quite literally, to drink, Junior hauls himself up by the hairs on his head and the laughter in his heart and takes us on his journey. I am not foolish enough to think that any committee overlooked this book. It would be impossible to do that. However, the fact that this novel will not sit on a list of this year’s best book for young people for as long as those lists exist is a damn shame.
And so it goes.